July 2013 NAIDOC Week

Troy Allen Brisbane Qld

This month I will feature images I captured in Brisbane during NAIDOC Week 2013

Musgrave Park Family Fun Day July 12

Aboriginal and Torres Strait Islander Mass July 14 

Thoughts on 'Amateur' and 'Professional' Photography - PetaPixel

We all know by now how Yahoo CEO Marissa Mayer unleashed the collective fury of photographers and the creative community during her presentation of the new Flickr with a few poorly chosen words. She has since clarified her statement, but the real issue is that the distinction between photographer and professional photographer is fuzzy at best in the minds of most people, particularly those that know little about the world of photography.

An “amateur” photographer is someone that takes photos for fun and passion. They enjoy the art of photography, and appreciate the ability to preserve memories and moments. Despite being “amateur”, they can (and do) take some of the most beautiful and breathtaking images you’ll ever see.

A professional photographer is consistently compensated for their photographic work. They have practiced and trained themselves to become at least competent at photography and to do it for others

Read more here

The Graceful Act of Photography

Beth Doherty is media director for the Australian Catholic Bishops Conference. the  She writes with insight and passion about the graceful act of photography:

"The power of the photograph; its content, composition, message can say much more than an article, a radio grab, or even a television show - as evidenced by the adage ‘a picture tells a thousand words.’

In 2004, I went to Cambodia for a four-month volunteer stint with the Jesuit Refugee Service (JRS).

The question of whether to take a camera with me weighed heavily on my heart, but five weeks in, I realised there were stories that needed telling. 

During my time, I worked as an English teacher to Montagnard refugees from the Central Highlands of Vietnam. It was a dramatic and difficult refugee situation.

Babies were born in squalid conditions in refugee camps in Phnom Penh and I was able to take the very first photos for the families; families were resettled or sent home; people faced the prospect of never seeing their loved ones again." Read full text here

One of my primary uses of social media is sharing my photography.  I cover the lives and issues of vulnerable people. 

My subjects include Indigenous people, those living with disabilities, Refugees and Asylum Seekers and Forgotten Australians. 

Beth writes of  discovering the rich relationships that happen when a photographer meets another person. Some of the people I photograph survived institutional childhoods and have few if any images of themselves as children. They now cherish the images of their lives as adults. 

My commitment to photography means that I am able to walk into many situations with vulnerable people and they know my work is about promoting their lives and issues.

The high incidence of people tagging themselves in my Facebook albums is also a form of permission and sharing of these precious images.

I hope that Beth's blogpost will provoke more discussion about the role of photography both as social conscience and 'sanctifying act'

In Memoriam: Photographers Who Died in 2012

As the year draws to a close I found this inspiring and wonderful link from the Time Lightbox Web, Photographers are leading me into an exciting and wonderful new phase of my life and it's  an honour to acknowledge those who have contributed to the art and the mission of great images in our day.

In the universe of serious, meaningful photography, the chance to honor the lives and careers of peers, colleagues and, occasionally, heroes in an end-of-year “those we lost” tribute comes with a grim, one-time-only satisfaction: namely, the opportunity to see, in one place, the work of photographers who would otherwise never, ever be shown together.

Like politics, death can sometimes make for strange bedfellows.

Where else would, say, Cornel Lucas’ glamorous Hollywood portraits feel so right alongside LIFE staffer Lee Balterman’s edgy depictions of Sixties’ unrest? In what other context would a black-and-white image of Nehru by India’s first woman photojournalist, Homai Vyarawalla (a.k.a, “Dalda 13″), not seem out of place beside Jim McCrary’s famous 1971 Tapestry portrait of Carole King?

Read more: http://lightbox.time.com/2012/12/26/in-memoriam-photographers-who-died-in-2012/#ixzz2GFcskNKl

UYW Online Journal

Unless you will, curated and founded by Heidi Romano, is an online journal that showcases a vision within photo-based art. Her goal is to bring together a collection of notable photographers from around the world and present their work. 

Sometimes a photo can evoke high feelings of emotion or nostalgia and in a roundabout way it becomes a means of expressing ourselves as photographers. UYW strives to showcase photographers who add layers of meaning and capture these feelings. Their images are a happiness measurement, they give us pleasure, rekindle a memory, or trigger other emotions of their own. Our aim is to showcase these talented artists without too many frills, who work with the notions of play, honesty and craftsmanship.

Group hugs all round. UYW would not have happened without all artists involvement.

THE ACTIVIST AWARDS Photo Philanthropy

The PhotoPhilanthropy Activist Award identifies outstanding work done by photographers in collaboration with non-profit organizations worldwide and awards prizes ranging from $2,000-$15,000. In previous years, work was submitted on behalf of 435 non-profit organizations from 88 different countries.

This year, PhotoPhilanthropy will be honoring professional, amateur, and student photographers. Each photographer whose work is accepted receives a page on our website and exposure to a growing audience of concerned and committed global citizens.

Don’t miss the video of our Live Judging Event from 2011 here!

Change the world, one photo at a time!

Additional Information

• Before entering the Activist Awards, please review our Submissions Guidelines.
• Once the guidelines have been reviewed, you may submit your essay during this year’s submission period, starting September 1st, 2012 
• If you have additional questions, please refer to our list of FAQs.
• If you have questions regarding how to create an effective photo essay, please refer to ourPhoto Essay Tips.
• If you would like more information about how to further distribute your photo essay, please refer to our tips to Share Your Work.
• If you have additional questions that were not answered with the above information, you can email us at submissions@photophilanthropy.org.

Support the Benetton Unhate Image wall

I have  blogged about the current media coverage of  the digitally enhanced images of world leaders kissing as part of a new UNhate campaign by Benetton.

 I hope readers of this blog will join me and add their kiss to the Unhate Kiss wall.