Tuesday, October 1, 2013

2013 Portraits of Peace

To celebrate the 2013 International Day of Peace a photographic exhibition, "Portraits of Peace" was displayed at St John's Cathedral Brisbane.

Women of Peace
I had the honour of receiving two awards for my entries to the competition 

My submissions to this exhibition captured the faces of women of peace in Brisbane who have inspired and encouraged my commitment o peacemaking.

The "Women of Peace" image was taken at the beginning of the Women's International Peace Walk as it left Jagera Hall in South Brisbane on 13 March 2010. Among the women who feature in this image are June Norman and Aunty Valda Coolwell.


A Candle For Peace
The second winning submission was an image I captured of Senator Claire Moore at the 2013 Hiroshima rally in King George Square.

My photography is more than a collection of images. It is my way of contributing to public awareness of the need for peace and justice in our community. The images of rallies and civil protest  reach an audience wider than those looking on from the streets we occupy for a brief moment. The images of festival gatherings of Indigenous and Refugee communities remind my viewers of the rich cultural diversity we receive and share. The eyes of the people who appear in my images invite us to new relationships that cross the divide of religion, race and  gender.

My albums on Facebook  are a rich testimony to the power of photography as social media that honours story and place. Years after an image has been posted it is tagged and a memory is cherished, a story is recalled and a moment of life is made sacred in its retelling. Over the years these and other albums continue to show the faces of some who have passed away, family members, friends and  keepers of the flame. Aboriginal and Torres Strait islander people are advised that they may find images of deceased persons in my collection. These images are kept to honour the sacred memory of those I have met and had the priviledge to photograph.

I am grateful to Believing Women for a Culture of Peace who sponsored this exhibition and competition. I also wish to acknowledge  Catholic Religious Australia Queensland who provided generously for the awards that were presented at St John's Cathedral on September 21, International Day of Peace.

Joint first prize: Women of Peace - Tony Robertson /  Peace Aamidst the Chaos - Nora Amath


Joint second prize:  Temple in the Afternoon, Evening Prayer - Carmel Khavari /  Loving & Co-existing Together - Nora Amath
Joint third prize:  Student Unity at Griffith - Sally Singh   / A Candle for Peace - Tony Robertson

You can visit the exhibition during October at The Multi Faith Centre, Griffith University

Monday, September 2, 2013

Kurilpa Derby September 2013

This month's featured images are from the Kurilpa Derby in West End Brisbane. Each year since 2008 the  locals have raced down the hill of Boundary Street West End in wheelchairs, roller blades, bikes, scooters, baths beds and any other design possible on wheels.

The race finishes in the commercial stretch of the street with a festival of races including the Squid relay.

You can see this year's images here

Wednesday, July 17, 2013

Monday, June 3, 2013

Thoughts on 'Amateur' and 'Professional' Photography - PetaPixel

We all know by now how Yahoo CEO Marissa Mayer unleashed the collective fury of photographers and the creative community during her presentation of the new Flickr with a few poorly chosen words. She has since clarified her statement, but the real issue is that the distinction between photographer and professional photographer is fuzzy at best in the minds of most people, particularly those that know little about the world of photography.

An “amateur” photographer is someone that takes photos for fun and passion. They enjoy the art of photography, and appreciate the ability to preserve memories and moments. Despite being “amateur”, they can (and do) take some of the most beautiful and breathtaking images you’ll ever see.

A professional photographer is consistently compensated for their photographic work. They have practiced and trained themselves to become at least competent at photography and to do it for others

Read more here

Thursday, May 23, 2013

The Graceful Act of Photography

Beth Doherty is media director for the Australian Catholic Bishops Conference. the  She writes with insight and passion about the graceful act of photography:

"The power of the photograph; its content, composition, message can say much more than an article, a radio grab, or even a television show - as evidenced by the adage ‘a picture tells a thousand words.’

In 2004, I went to Cambodia for a four-month volunteer stint with the Jesuit Refugee Service (JRS).
The question of whether to take a camera with me weighed heavily on my heart, but five weeks in, I realised there were stories that needed telling. 
During my time, I worked as an English teacher to Montagnard refugees from the Central Highlands of Vietnam. It was a dramatic and difficult refugee situation.
Babies were born in squalid conditions in refugee camps in Phnom Penh and I was able to take the very first photos for the families; families were resettled or sent home; people faced the prospect of never seeing their loved ones again." Read full text here

One of my primary uses of social media is sharing my photography.  I cover the lives and issues of vulnerable people. 

My subjects include Indigenous people, those living with disabilities, Refugees and Asylum Seekers and Forgotten Australians. 

Beth writes of  discovering the rich relationships that happen when a photographer meets another person. Some of the people I photograph survived institutional childhoods and have few if any images of themselves as children. They now cherish the images of their lives as adults. 

My commitment to photography means that I am able to walk into many situations with vulnerable people and they know my work is about promoting their lives and issues.

The high incidence of people tagging themselves in my Facebook albums is also a form of permission and sharing of these precious images.

I hope that Beth's blogpost will provoke more discussion about the role of photography both as social conscience and 'sanctifying act'

Thursday, December 27, 2012

In Memoriam: Photographers Who Died in 2012

As the year draws to a close I found this inspiring and wonderful link from the Time Lightbox Web, Photographers are leading me into an exciting and wonderful new phase of my life and it's  an honour to acknowledge those who have contributed to the art and the mission of great images in our day.


In the universe of serious, meaningful photography, the chance to honor the lives and careers of peers, colleagues and, occasionally, heroes in an end-of-year “those we lost” tribute comes with a grim, one-time-only satisfaction: namely, the opportunity to see, in one place, the work of photographers who would otherwise never, ever be shown together.
Like politics, death can sometimes make for strange bedfellows.
Where else would, say, Cornel Lucas’ glamorous Hollywood portraits feel so right alongside LIFE staffer Lee Balterman’s edgy depictions of Sixties’ unrest? In what other context would a black-and-white image of Nehru by India’s first woman photojournalist, Homai Vyarawalla (a.k.a, “Dalda 13″), not seem out of place beside Jim McCrary’s famous 1971 Tapestry portrait of Carole King?
Read more: http://lightbox.time.com/2012/12/26/in-memoriam-photographers-who-died-in-2012/#ixzz2GFcskNKl

Saturday, September 29, 2012

UYW Online Journal

Unless you will, curated and founded by Heidi Romano, is an online journal that showcases a vision within photo-based art. Her goal is to bring together a collection of notable photographers from around the world and present their work. 

Sometimes a photo can evoke high feelings of emotion or nostalgia and in a roundabout way it becomes a means of expressing ourselves as photographers. UYW strives to showcase photographers who add layers of meaning and capture these feelings. Their images are a happiness measurement, they give us pleasure, rekindle a memory, or trigger other emotions of their own. Our aim is to showcase these talented artists without too many frills, who work with the notions of play, honesty and craftsmanship.

Group hugs all round. UYW would not have happened without all artists involvement.